Difference between revisions of "Log:Brit Invasion"
(Created page with "{{ Log | cast = Amelia Lancastle-SmythTabitha Blayerimage:donovan-icon.jpg|100px|li...") |
m |
||
(4 intermediate revisions by one user not shown) | |||
Line 2: | Line 2: | ||
| cast = [[image:amelia-icon.jpg|100px|link=Amelia|Amelia Lancastle-Smyth]][[image:tabitha-icon.jpg|100px|link=Tabitha|Tabitha Blayer]][[image:donovan-icon.jpg|100px|link=Donovan|Donovan Kincaid]] | | cast = [[image:amelia-icon.jpg|100px|link=Amelia|Amelia Lancastle-Smyth]][[image:tabitha-icon.jpg|100px|link=Tabitha|Tabitha Blayer]][[image:donovan-icon.jpg|100px|link=Donovan|Donovan Kincaid]] | ||
| summary = Tabitha squees over Amelia who finds it amusing. Later Donovan encounters them in the coffee house. | | summary = Tabitha squees over Amelia who finds it amusing. Later Donovan encounters them in the coffee house. | ||
− | | location = South Beach Board Walk and then Copper Tap | + | | location = South Beach Board Walk<br>The scent of sea spray hangs on each breeze that ripples the waves along this peaceful yet popular boardwalk. Underfoot the wooden planks of the pier echo with your steps, if that is, you can single out your own motions against that of the crowds around you. Lining both sides of the pier way, shops and buildings have been built upon stilts, allowing them to rest above the waves, their windows offering a beautiful view out over the oceans beautiful blue waves. <br>* People move along at a leisurely pace.<br>* Tables scatter various parts of the pier, often outside cafe's.<br>* Specialty shops, clothing shops, & tourist traps are all found here.<br>* Colorful awnings along the storefronts create an almost cinematic look.<br><br>Located Here:<br>Culture Corner CC<br>Copper Tap Coffee House CH<br>Ricky's Ribs and Wings RR<br><br>and then Copper Tap<br>You enter the coffee shop, greeted by the scent of coffee beans and baked goods. This coffee house is one of style and causal comfort. Floors are dark wood, free of rugs or coverings of any type, while tables of many shapes fill the spaces. The surfaces are that of brushed copper and bronze (or at least they appear to be), all with matching cushioned chairs upholstered in leathers of various shades of brown. Near the back of the room runs a long bar, made from the same brushed copper surface, covered in many pastry displays of donuts, croissants, and even a few candies and cookies.<br><br>The staff look energetic and kind, most serving tables, while a few wait behind the cash registers to take orders. Music can be heard, the local radio stations playing this months best hits, while a TV has been muted, located in the far right corner of the shop. |
| gamedate = 2013.10.11 | | gamedate = 2013.10.11 | ||
| log = Hands in the pockets of her sleeveless black cardigan, Amelia stands staring at the window display outside a clothing store. Her lack of a tan makes her stand out. As do the Union flag knee-length leather boots she has on. Her head moves as she tilts it slightly, unable to decide if she likes the display or not. | | log = Hands in the pockets of her sleeveless black cardigan, Amelia stands staring at the window display outside a clothing store. Her lack of a tan makes her stand out. As do the Union flag knee-length leather boots she has on. Her head moves as she tilts it slightly, unable to decide if she likes the display or not. | ||
Line 8: | Line 8: | ||
Tabitha is staring at an orange, holding up close to her face, a pungently scented clove clasped in two fingers of her other hand as she tries to thrust the narrower end of the herb into the skin of the orange. She's got a couple of them already embedded, and the rest of her cloven collection must be hiding in the little TARDIS pouch purse she's got hanging in front of her. She's stomping on past, engaged in the activity, but not so much that she doesn't get distracted by the SHINY Union Jack boots over there, treading backward a few steps to look at them more closely. | Tabitha is staring at an orange, holding up close to her face, a pungently scented clove clasped in two fingers of her other hand as she tries to thrust the narrower end of the herb into the skin of the orange. She's got a couple of them already embedded, and the rest of her cloven collection must be hiding in the little TARDIS pouch purse she's got hanging in front of her. She's stomping on past, engaged in the activity, but not so much that she doesn't get distracted by the SHINY Union Jack boots over there, treading backward a few steps to look at them more closely. | ||
− | The smell is what brings Amelia's head towards Tabitha, then it is the girl's reflection in the glass of the shop window. "Are you making kristingles?" She nods towards the clove and the citrus fruit. Her accent, like her boots, is British; English to be precise. Crisply enunciated vowels and consonants. | + | The smell is what first brings Amelia's head towards Tabitha, then it is the girl's reflection in the glass of the shop window. "Are you making kristingles?" She nods towards the clove and the citrus fruit. Her accent, like her boots, is British; English to be precise. Crisply enunciated vowels and consonants. |
"Kristubwuh?" Tabs shakes her head to release herself from the entrancement she'd been trapped in by the splendor of the british boots. "It's a cloven orange," she lifts the item in explanation. "I'm going to bring it with me to Homecoming. Your boots are pretty." | "Kristubwuh?" Tabs shakes her head to release herself from the entrancement she'd been trapped in by the splendor of the british boots. "It's a cloven orange," she lifts the item in explanation. "I'm going to bring it with me to Homecoming. Your boots are pretty." | ||
+ | |||
"Cheers." Amelia reaches out for the orange, "May I?" She holds her other hand open for a clove. "Kristingles are common at Christmastime in Europe. You take an orange and using cloves pierce through red ribbon and into the flesh. The ribbon crosses over itself to form a cross shape on the fruit. Then a candle is stuck in the top and lit. It is meant to be for commemorating Christ's blood on the cross and the way he brings light to the world. The spherical shape of the fruit represents the world. Candle, light. Ribbon, blood. Cloves, thorny crown." | "Cheers." Amelia reaches out for the orange, "May I?" She holds her other hand open for a clove. "Kristingles are common at Christmastime in Europe. You take an orange and using cloves pierce through red ribbon and into the flesh. The ribbon crosses over itself to form a cross shape on the fruit. Then a candle is stuck in the top and lit. It is meant to be for commemorating Christ's blood on the cross and the way he brings light to the world. The spherical shape of the fruit represents the world. Candle, light. Ribbon, blood. Cloves, thorny crown." | ||
Line 32: | Line 33: | ||
"At my old school lessons started at seven-thirty, so we had to all be up and finished with breakfast by six so we could go to chapel for seven." Amelia shrugs, "I don't think much about getting up early. Maybe by next year I'll be strolling in late like everybody else." | "At my old school lessons started at seven-thirty, so we had to all be up and finished with breakfast by six so we could go to chapel for seven." Amelia shrugs, "I don't think much about getting up early. Maybe by next year I'll be strolling in late like everybody else." | ||
+ | |||
"Gosh, the only time I've ever seen six o'clock in the morning is when I do an all-night Firefly marathon," Tabitha boggles a little bit. "Yeah, we like being nocturnal here," she grins. "You'll get used to it." | "Gosh, the only time I've ever seen six o'clock in the morning is when I do an all-night Firefly marathon," Tabitha boggles a little bit. "Yeah, we like being nocturnal here," she grins. "You'll get used to it." | ||
Line 66: | Line 68: | ||
Tabitha sort of prances off when Amelia agrees, leaping from her spot as though gravity were nothing to her, landing a few feet further down the boardwalk and spinning on one foot to face Amelia, walking backward with exaggerated steps, almost as if walking through the moves of a dance. "They DO. They have this really amazing giddapahar darjeeling," she looks briefly in mid-melt, or possibly mid-swoon. | Tabitha sort of prances off when Amelia agrees, leaping from her spot as though gravity were nothing to her, landing a few feet further down the boardwalk and spinning on one foot to face Amelia, walking backward with exaggerated steps, almost as if walking through the moves of a dance. "They DO. They have this really amazing giddapahar darjeeling," she looks briefly in mid-melt, or possibly mid-swoon. | ||
− | "You're an odd sort," she declares with a quiet laugh. "Always moving like a | + | "You're an odd sort," she declares with a quiet laugh. "Always moving like a Labrador puppy." Amelia's head turns as a man in a suit skates past. She shakes her head and looks back at Tabitha. "Everything is so foreign here." |
"If I stop moving I turn into stone," Tabitha claims. Which is kind of true, inasmuch as she'll fall asleep. "Err, hate to break it to you, but I think you might be the foreign one," she jokes gently, not maliciously, at all, just sort of finding it amusing. | "If I stop moving I turn into stone," Tabitha claims. Which is kind of true, inasmuch as she'll fall asleep. "Err, hate to break it to you, but I think you might be the foreign one," she jokes gently, not maliciously, at all, just sort of finding it amusing. | ||
Line 77: | Line 79: | ||
"Uh-huh, I've had it here, before. I don't really like coffee, and even though this place is pretty pricey, it's better than the tea house," Tabs answers, following after Amelia. | "Uh-huh, I've had it here, before. I don't really like coffee, and even though this place is pretty pricey, it's better than the tea house," Tabs answers, following after Amelia. | ||
+ | |||
Sauntering towards the counter, Amelia leans in against it as she eyes the little boxes of tea on display. Like most English people she is particular about her tea, almost more so than many Americans are with their coffee. When she gives out instructions on how to make it they're very specific. | Sauntering towards the counter, Amelia leans in against it as she eyes the little boxes of tea on display. Like most English people she is particular about her tea, almost more so than many Americans are with their coffee. When she gives out instructions on how to make it they're very specific. | ||
Latest revision as of 16:48, 14 December 2013
|
| ||||||||
|